SEXtalk69___Font_by_KeepWaiting.ttf
SEXtalk69 Font
Author's note
SEXtalk69, designed by Andrew J. Hart, is a free eroded display font with massive, uneven letters and a scraped, photocopied surface. Dense black strokes, ragged edges, and scattered gaps give the lettering the battered look of cut-and-pasted punk graphics, with cramped overlaps and sudden changes in stroke width.
Its distressed texture can merge with torn-paper collage, grainy photography, or screen-printed illustration, making it especially apt for music posters and album packaging. Merchandise also suits its abrasive, handmade attitude for bands and streetwear labels. The rough construction points most convincingly toward punk, underground club, and skate themes in event flyers and youth-oriented branding.
Its distressed texture can merge with torn-paper collage, grainy photography, or screen-printed illustration, making it especially apt for music posters and album packaging. Merchandise also suits its abrasive, handmade attitude for bands and streetwear labels. The rough construction points most convincingly toward punk, underground club, and skate themes in event flyers and youth-oriented branding.
Tags
Character map
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Basic font information
Copyright notice
SEXtalk69 - 2007 - Andrew J. Hart
Font family
SEXtalk69
Font subfamily
Regular
Unique subfamily identification
SEXtalk69
Full font name
SEXtalk69
Name table version
v.1
Postscript font name
SEXtalk69
Trademark notice
SEXtalk69 2007- Andrew J. Hart.
Manufacturer name
International Typeface Corporation
Designer
Victor Caruso
Description
Designed in 1902 by Morris Fuller Benton for the American Type Founders company, Franklin Gothic still reigns as one of the most-widely used sans serif typefaces. Originally issued in only one weight, the ATF version of Franklin Gothic was eventually expanded to include five additional weights, but no light or intermediate weights were ever developed. In 1979, under license from ATF, ITC developed four new weights in roman and italic: book, medium, demi and heavy. Designed by Victor Caruso, ITCs new weights matched the original faces characteristics, but featured a slightly enlarged lowercase x-height. ITC Franklin Gothic also features a slightly condensed lowercase a-z alphabet. In 1991, ITC commissioned the Font Bureau in Boston to create condensed, compressed and extra compressed versions of ITC Franklin Gothic, which increased the flexibility and usefulness of the design.
Extended font information
Platforms supported
PlatformEncoding
MacintoshRoman
MicrosoftUnicode BMP only
Font details
Created1995-10-17
Revision2
Glyph count99
Units per Em2048
Embedding rightsEmbedding for editing allowed
Family classNo classification
WeightSemi-bold
WidthSemi-condensed
Mac styleBold
DirectionOnly strongly left to right glyphs
Pattern natureRegular
PitchNot monospaced
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